Showing posts with label intaglio. Show all posts
Showing posts with label intaglio. Show all posts

Sunday, 25 September 2022

The Muse

Glenn Gould

 

Two months ago a problem I had all my adult life - a feeling of meaninglessness of art and a regret of being an artist, came to a crisis.  Despite of having a lot of orders I couldn't make myself work.  

Luckily at the same time I was exploring the oeuvre of a favourite pianist, Glenn Gould, who I listened to on and off most of my life, and only knew for his Bach. This time I heard his Beethoven, his moving and wise "contrapuntal radio" - modernist operas about the meaning of life, read many of his articles and interviews, and carefully watched his performances.

The unexpected result was the discovery of myself, a flinging open of inner doors to the source of art, that were shut since my teens, and an avalanche of inspiration that swept all the crises away as I welcomed my new muse.

Today on September 25, 2022 Glenn Gould would have turned 90, and I wanted to celebrate the great musician-thinker with some art and thoughts in this post and possibly some future ones


Gould playing Beethoven
 
 Glenn Gould was a utopian – to him art was a moral undertaking, and he spoke against such evils as professional sport, music competitions, applause, live concerts, and even professional art as a whole, as in his utopian future every human would become a non-competitive, nonviolent artist. His alternative to the sin of competition was the virtue of communication. I believe these ideas created the magic effects of his music-making. The sublime talking piano, the gestures and groans of a religious trance, the creaking chair, the stomping feet communicate the creative experience to your own mind and body, and convert you into art by revealing your own often long-forgotten path to artistic ecstasy, if you only care to follow.
 

 Glenn Gould - a 17mm blue chalcedony intaglio carving

 Here is Gould's own writing on the purpose of art, from the article "Let's Ban Applause":
"…the justification of art is in the internal combustion it ignites in the hearts of men and not its shallow, externalized, public manifestations. The purpose of art is not the release of a momentary ejection of adrenaline but is, rather, the gradual, lifelong construction of a state of wonder and serenity. Through the ministrations of radio and the phonograph, we are rapidly and quite properly learning to appreciate the elements of aesthetic narcissism - and I use that word in its best sense - and are awakening to the challenge that each man contemplatively create his own divinity."

 

A compilation of my drawings and carvings dancing to the Goldberg Variations for Glenn Gould's birthday
 

Sunday, 31 August 2014

Intaglio gem carving

(Updates: for the newest Lala gems you can follow me HERE
 
And please see Lala Ragimov's Intaglio Gems page with photos and ordering information)

My copy after a circa 300 BC intaglio gem from 
Ionic Greece (Hermitage). March 2016


Here are my first experiments in gem engraving. Ancient carvers worked with a simple machine using oil and emery powder slurry to carve the gems (mostly chalcedony and agate):  
I made my intaglios using a binocular microscope and an electric rotary tool with sintered diamond bits and a continuous water supply.



Here are my results so far:

My first intaglio, Pegasus (agate).


Omphale, carnelian.
This was a freehand copy after a larger Roman gem.



A cupid riding a panther, carnelian intaglio





An engagement ring commission on chrysoprase in 2015




Head of Zeus Olympios intaglio on carnelian and impression,
in progress March 2016






More photos of the process:



Once the gem was on the dop stick, I sketched the design using diamond point and silverpoint and blocked the main shapes in with large round diamond bits.  
Further work was done using smaller round, wheel- and cone-shaped bits.

The biggest difficulty was not being able to see well because water obscures the view as you carve, though not as much as the thick oil and abrasive slurry, which I will try using later.  Another difficulty is learning to control the rotating tool especially when making curved lines.


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In parallel I have also tried my hand at caving miniature black coral sculptures using the rotary tool with steel burs, abrasive wheels, nylon brushes, and polishing wheels and compounds.  This was my first time sculpting in the round. 




Cat and rabbit miniature sculptures in black coral

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